Significance of othellos death at the end of the play
Hire Writer From this the character will proceed through nemesis, in which they will gain self knowledge and remorse for their fate, which cannot be undone.
Emilia also comes in, and pins more blame on Bianca; she has done nothing, but Iago has some quick work to do if he is to exonerate himself in this mess. Having failed to gain constructive power promotionhe sets about exercising negative and malicious power.
I nurturing toneless Tall moments we are reluctance to ten noodle, unrolled man seen within earlier acts. This has the desired effect of corrupting Othello's mind to imagine Desdemona having sexual encounters with Cassio.
He uses misrepresentation to fill each of these roles as best he can, and not let the others know of his true plans and character. As Othello has lived like a hero, he will not forfeit his claim to that title in his death. By heaven, he echoes me, As if there were some monster in his thought Too hideous to be shown And he nearly succeeds. I have done the state some service, and they know 't. Desdemona awakens, and he tells her to repent of any sins before she dies; she believes there is nothing she can do to stop him from killing her, but continues to assert her innocence. It could be argued that Othello Is unwilling to accept responsibility for the murder of his love and is instead using language to manipulate the audience into lessening his accountability. This last speech of Othello is his way of expressing to viewers how he would have liked them to see the events of the play. Keep dramatic significance and characterisation in mind as you determine your response to Desdemona. First he gets Othello to feel and then verbalise jealousy. If this is so, it certainly does not sit well with her line, "falsely, falsely murdered," which seems to refer both to Desdemona's death, and to Emilia's mention of the death of Roderigo and wounding of Cassio V. Thus, it is very difficult to see the passage as anything but an attempt by Othello to die with some honour and reputation. Othello insists that he is an "honorable murderer", but he is driven to kill out of his own shortcomings V. The audience feel closer to Ago; they feel hey understand him when other characters do not; the audience, perhaps due to his soliloquies, are fascinated by him. Iago leaves Othello alone to let his "pestilence" do its work.
Later in the play her concept of pure love is contrasted with that of the earthy and worldly-wise Emilia. But Othello takes Desdemona's cries for mercy, and her remorse at Cassio's misfortune, as proof of her indiscretion; although his rage is tempered, he is still set on having her dead.
Othello is emotionally shattered. The comparison might suggest that Othello, as a result of his crimes, now sees himself as an outcast who deserves to die in the same way, or it might imply that by voluntarily punishing himself for his crimes, he acts in a way that is consistent with his previous military valor.
based on 36 review